Receptor EP
After continued support from high-profile artists including Batu, Giant Swan, Aya and Debonair, SELN continues its cosmic journey into darkness via Conrad Pack's "Receptor EP"
This is the label's first vinyl outing, and Pack's first EP in over two years. The record comes in the shape of four strong tracks which create a world full of paranoia, lost hope, and strain. Having said all that - this release is still a TRUE MUSICAL ACCOMPLISHMENT.
Side A opens with 'Stepper', which when played on the dancefloor will truly separate the wheat from the chaff. Picture a DMZ night where the doors are locked, the spirit of fallen dubsteppers arise and complain incessantly about the music policy, only to be elated when "Stepper" graces the speakers. In other words - it's a much faster, much darker dubstep track, but also so much MORE!
Next up is 'The Cross' which in some senses is a more "functional" techno track of sorts - although it's almost certainly not. Sounds of lost souls scream in the background consistently, whilst pummeling hi-hats and bass keep the listener grounded. Think stuck in the mud at an Iration Steppas gig, but all the speakers blow and no one gets a ticket refund.
On the flip Touch' lives up to the name by reaching for the listener's soul (via their ears). Although taking speed and smoking skunk simultaneously isn't recommended by anyone, this song is alleged to have the same effect (OPPOSITES DO IN FACT ATTRACT). When playing this one out SELN highly recommends pushing the mixer into the red (IGNORE THE SOUND TECH) - extra distortion is very much encouraged by Pack.
The final song "Receptor" comes without the warning of being a title track - but is all the better for it (almost like the title of a movie being involved in the final punchline of the film). Swirling synths descend into a paranoid psychosis, whilst vocal groans spin vicariously throughout the song - leaving dancefloors truly DEMOLISHED. It's arguably the most relentless track on the EP, and sums up the current 'mood of the times' rather well some may say (if not at least the mood of the EP itself).
This is the label's first vinyl outing, and Pack's first EP in over two years. The record comes in the shape of four strong tracks which create a world full of paranoia, lost hope, and strain. Having said all that - this release is still a TRUE MUSICAL ACCOMPLISHMENT.
Side A opens with 'Stepper', which when played on the dancefloor will truly separate the wheat from the chaff. Picture a DMZ night where the doors are locked, the spirit of fallen dubsteppers arise and complain incessantly about the music policy, only to be elated when "Stepper" graces the speakers. In other words - it's a much faster, much darker dubstep track, but also so much MORE!
Next up is 'The Cross' which in some senses is a more "functional" techno track of sorts - although it's almost certainly not. Sounds of lost souls scream in the background consistently, whilst pummeling hi-hats and bass keep the listener grounded. Think stuck in the mud at an Iration Steppas gig, but all the speakers blow and no one gets a ticket refund.
On the flip Touch' lives up to the name by reaching for the listener's soul (via their ears). Although taking speed and smoking skunk simultaneously isn't recommended by anyone, this song is alleged to have the same effect (OPPOSITES DO IN FACT ATTRACT). When playing this one out SELN highly recommends pushing the mixer into the red (IGNORE THE SOUND TECH) - extra distortion is very much encouraged by Pack.
The final song "Receptor" comes without the warning of being a title track - but is all the better for it (almost like the title of a movie being involved in the final punchline of the film). Swirling synths descend into a paranoid psychosis, whilst vocal groans spin vicariously throughout the song - leaving dancefloors truly DEMOLISHED. It's arguably the most relentless track on the EP, and sums up the current 'mood of the times' rather well some may say (if not at least the mood of the EP itself).
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Original: $18.06
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Description
After continued support from high-profile artists including Batu, Giant Swan, Aya and Debonair, SELN continues its cosmic journey into darkness via Conrad Pack's "Receptor EP"
This is the label's first vinyl outing, and Pack's first EP in over two years. The record comes in the shape of four strong tracks which create a world full of paranoia, lost hope, and strain. Having said all that - this release is still a TRUE MUSICAL ACCOMPLISHMENT.
Side A opens with 'Stepper', which when played on the dancefloor will truly separate the wheat from the chaff. Picture a DMZ night where the doors are locked, the spirit of fallen dubsteppers arise and complain incessantly about the music policy, only to be elated when "Stepper" graces the speakers. In other words - it's a much faster, much darker dubstep track, but also so much MORE!
Next up is 'The Cross' which in some senses is a more "functional" techno track of sorts - although it's almost certainly not. Sounds of lost souls scream in the background consistently, whilst pummeling hi-hats and bass keep the listener grounded. Think stuck in the mud at an Iration Steppas gig, but all the speakers blow and no one gets a ticket refund.
On the flip Touch' lives up to the name by reaching for the listener's soul (via their ears). Although taking speed and smoking skunk simultaneously isn't recommended by anyone, this song is alleged to have the same effect (OPPOSITES DO IN FACT ATTRACT). When playing this one out SELN highly recommends pushing the mixer into the red (IGNORE THE SOUND TECH) - extra distortion is very much encouraged by Pack.
The final song "Receptor" comes without the warning of being a title track - but is all the better for it (almost like the title of a movie being involved in the final punchline of the film). Swirling synths descend into a paranoid psychosis, whilst vocal groans spin vicariously throughout the song - leaving dancefloors truly DEMOLISHED. It's arguably the most relentless track on the EP, and sums up the current 'mood of the times' rather well some may say (if not at least the mood of the EP itself).
This is the label's first vinyl outing, and Pack's first EP in over two years. The record comes in the shape of four strong tracks which create a world full of paranoia, lost hope, and strain. Having said all that - this release is still a TRUE MUSICAL ACCOMPLISHMENT.
Side A opens with 'Stepper', which when played on the dancefloor will truly separate the wheat from the chaff. Picture a DMZ night where the doors are locked, the spirit of fallen dubsteppers arise and complain incessantly about the music policy, only to be elated when "Stepper" graces the speakers. In other words - it's a much faster, much darker dubstep track, but also so much MORE!
Next up is 'The Cross' which in some senses is a more "functional" techno track of sorts - although it's almost certainly not. Sounds of lost souls scream in the background consistently, whilst pummeling hi-hats and bass keep the listener grounded. Think stuck in the mud at an Iration Steppas gig, but all the speakers blow and no one gets a ticket refund.
On the flip Touch' lives up to the name by reaching for the listener's soul (via their ears). Although taking speed and smoking skunk simultaneously isn't recommended by anyone, this song is alleged to have the same effect (OPPOSITES DO IN FACT ATTRACT). When playing this one out SELN highly recommends pushing the mixer into the red (IGNORE THE SOUND TECH) - extra distortion is very much encouraged by Pack.
The final song "Receptor" comes without the warning of being a title track - but is all the better for it (almost like the title of a movie being involved in the final punchline of the film). Swirling synths descend into a paranoid psychosis, whilst vocal groans spin vicariously throughout the song - leaving dancefloors truly DEMOLISHED. It's arguably the most relentless track on the EP, and sums up the current 'mood of the times' rather well some may say (if not at least the mood of the EP itself).
